“WE assume our senses see reality as it is – but that could be just an evolved illusion,” the July 31, 2019 issue of NewScientist insisted.
“What is the relationship between the world out there and my internal experience of it – between objective and subjective reality?
“If I’m sober, and don’t suspect a prank, I’m inclined to believe that when I see a cherry, there is a real cherry whose shape and color match my experience, and which continues to exist when I look away.
“This assumption is central to how we think about ourselves and the world. But is it valid? Experiments my collaborators and I have performed to test the form of sensory perception that evolution has given us suggest a startling conclusion: it isn’t.”
The author of The Case Against Reality: Why Evolution Hid the Truth from Our Eyes, the pioneering cognitive scientist Donald D. Hoffman, believes that evolution designed our perceptions “to keep us alive.” Our perceptions, he says, are “interfaces constructed by natural selection,” in a word randomly.
There are no completely random forces in Theosophy. The reality illusion is wholly subjective and beholden to our faculties of perception, and states of consciousness unique to our complex sevenfold human construction, according to Theosophy. But agreeably with Professor Hoffman, the world is nothing like what we see through our eyes. But for much different reasons than the conjectures of modern science.
“Every one of us possesses the faculty, the interior sense, that is known by the name of intuition,” H. P. Blavatsky wrote in her article The Beacon-Light of the Unknown, “but how rare are those who know how to develop it!
It is, however, only by the aid of this faculty that men can ever see things in their true colors.
“It is an instinct of the soul, which grows in us in proportion to the employment we give it, and which helps us to perceive and understand the realities of things with far more certainty than can the simple use of our senses and exercise of our reason.”
“What are called good sense and logic enable us to see only the appearances of things, that which is evident to every one. The instinct of which I speak, being a projection of our perceptive consciousness,
a projection which acts from the subjective to the objective, and not vice versa, awakens in us spiritual senses and power to act.
These senses assimilate to themselves the essence of the object or of the action under examination, and represent it to us as it really is, not as it appears to our physical senses and to our cold reason.”
- H. P. Blavatsky, Le Phare De L’Inconnu
The Hindu poem, a dialogue between Master Krishna and his disciple Arjuna, in the Bhagavad-Gita, is set metaphorically on a ‘battlefield.’ This chosen venue symbolizes “the war within,” which each of us continually faces, and must eventually wage. (BlavatskyTheosophy.com)
In Chapter 11, Krishna challenges Arjuna to exercise his spiritual sight in a specially induced vision of “the Divine Form as including all forms.” To enforce the lesson, and in answer to Arjuna’s request, Krishna temporarily awakens his “Divine Eye.” The rest is occult history!
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“Gautama, the Buddha, only remained in solitude long enough to enable him to arrive at the truth, which he devoted himself from that time on to promulgate, begging his bread, and living for humanity.”
If, in the words of the dying Buddha, ‘all compounds are perishable,’ then all collections of atoms must be considered but temporary ‘illusions.’
They are such, according to The Secret Doctrine (1:329), because they are the very personal creations “of the perceiving Ego.” But this must not be considered a solipsistic argument. If we only knew how to get past our five senses we might very well contact the underlying ‘reality’ of physical things.
The term “Ego” here must ultimately refer to a personal state, and as such must always relate to specific ‘states’ of consciousness. But this is only from our plane of perception. According to The Secret Doctrine (1:330), once we have gotten past that plane, and scaled the “peak of Omniscience,” the “knowledge of things-in-themselves” is immediately available to us.
One of the best ways to describe what Theosophy is, arts reporter Ali Snow remarked on a Utah Public Radio show, “is to think of it as a kind of fusion of religion and science.”
A desire to prove or to explore some of the mystical forces that made religion work and make the spiritual world work.
“Is it possible to see music? Or hear a painting? The art exhibition “Enchanted Modernities: Mysticism, Landscape and the American West” answers these questions and more by exploring the impact of Theosophy, an esoteric-philosophical revolution, on visual artists, writers, and composers in the American West.”
A striking example of this kind of fusion is H. P. Blavatsky’s description of how
the sense of sound is the first thing that manifests itself in the universe … in correspondence with colors or sight.
About this sensory synesthetic power Blavatsky wrote:
If you could only see clairvoyantly a person playing a piano, you would see the sound as plainly as you hear it.
“You can even put cotton in your ears—you will see the sound and every little note and modulation that you could not do otherwise.”
Making reference to this sensory merging (known today as “synesthesia”) she explained: “One would merge into the other. You can taste sound, if you like, too. There sounds which are exceedingly acid, and there are sounds which are exceedingly sweet, and bitter, and all the scale of taste, in fact.”
There is no nonsense, I say it seriously, and you will find it so if you want to know about the super-physical senses.
Alexander Scriabin, a Russian pianist and composer who was deeply influenced by Theosophy, visualized a grand magnum opus which he titled Mysterium.
Click the link here or the link below to listen to Nora Eccles, Harrison Museum of Art as three curators describe the exhibit, Painting Music: Enchanted Modernities, and who give us a personalized tour of the Theosophy promoted powers (click below the photo):
Click to start below:
This interesting phenomenon is demonstrated practically by the multiple senses of a unique synesthete from Zurich, Switzerland named Elizabeth Sulser. A psi investigator writes:
Her particular combination of senses is so unique that she is the only person in the world documented to have it.